randian | 燃点

Lehmann Maupin is pleased to a present Passage/s, an exhibition of new work by Do Ho Suh. The internationally renowned South Korean artist is best known for his installations, drawings, sculptures, and films, which often reflect on themes of home, displacement, memory, and individuality that evolve from his personal experiences and family history. For this […] >> Read more

Axel Vervoordt Gallery Antwerp is pleased to present its solo exhibition of Yun Hyong-Keun (Miwon, 1928 – Seoul, 2007), who was a member of the Korean art movement Dansaekhwa. >> Read more

Gagosian New York is pleased to present paintings, sculpture, and works on paper by Zeng Fanzhi. >> Read more

Artists, critics, and enthusiasts from the mainland, the territories, and the diaspora alike – doubtless alongside countless numbers of Sinophiles – will find Venice a welcoming second home this summer and autumn.
 
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Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more

by Quyen Hoang Will Thurman ‘Life Paintings, Volume 1: 2015-2020’ Galerie Quỳnh (118 Đường Nguyễn Văn Thủ, Đa Kao, District 1, Ho Chi Minh City) Oct. 20­ – Dec.12, 2020 In this fervent age of over-exposure on social media, mystery is a rare commodity. Will Thurman’s solo exhibition presents an intriguing scenario by requesting its visitors to leave their phones […] >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

William and Dorothy Wordsworth moved to Alfoxden in Somerset in 1797 to be near Coleridge, then living at Nether Stowey. When the three of them took to going for walks in the surrounding country (sometimes, God forbid, at nightfall to see the stars), the locals were suspicious. >> Read more

In 2019, Zheng Bo once again introduced the "workshop" into his exhibition Goldenrod held at the Institute of Contemporary Arts at New York University in Shanghai. “Eco-Socialist Garden” is a project that includes workshops, architectural models, and printed material. Zheng Bo invited a group of volunteers from different professional fields and divided them into two groups. >> Read more